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The Creative Journey, The Creative Process
When people ask me how to paint, I always tell them that it is as
important to know when not to work on a painting, as it is to know
when to actually paint. For me, painting is as much about listening
as it is about doing. I spend a great deal of time listening to
my paintings, so that when I do paint, I can paint with deliberation,
because I know what the paintings are saying. To most people, it
looks like I am doing nothing. It takes a great deal of confidence
to hold the secret, not to say anything, to know that in reality,
a great deal is going on inside.
I have a lot of people who want to come and study with me. I always
say, "yes", but warn them that almost nobody lasts. I
tell them that there is no one to hold their hand, no one to tell
them what to do, no one to tell them what to paint or when to paint
and no one to paint with, and it is up to them to find a suitable
place in which to create—for this is what it is like to be
a professional artist. Art is not for the faint of heart.
I once heard a scientist describe her creative process. She painted
a wonderful picture of the cycles of the seasons. She said it started
with Spring, the blooming of an idea, then the long work of Summer,
the harvesting of Fall and the long dormancy of Winter, for which
there can be no Spring, no new ideas. I have never heard a better
description of what the creative process is like.
Those "ah ha" moments, the germination of an idea for
a painting is one of the most exciting times in the process. In
the beginning I plan a whole series of paintings, usually seven
to eleven, and then work on them as a group. This is the "Spring"
of the creative process-seeing ten paintings beginning to blossom
on my studio walls.
The long work of Summer, that the time of actually physically putting
paint to paper or canvas, can be the really hard part. Creativity
is not a straight and paved thoroughfare for me. Rather, it is a
circuitous path which I explore with deliberation, hope and expectation.
At the end of the day, that small step along the journey, I often
have no idea whether what was created is effective or not. The next
morning I am usually relieved to see that not only a great deal
was accomplished, but also that it was a successful step along the
way.
Finishing the piece of art work, the Fall, is rewarding, short
and infinitely enjoyable. I know when a painting is done when I
sign my name. All seven to eleven paintings usually get done within
the same time frame. The "letting go" of the paintings
is when I photograph them. After that, they are for anyone to purchase
Then there is the long dormant winter, when there are no ideas,
and it takes pure faith that somewhere inside one's personal soul
is the ability to create once again. Because then there is, not
only the blank canvas, but also the blank studio wall as well, to
be filled again with paintings. It takes great deal of courage to
believe that there really will be a "Spring" again of
"ah ha" moments, that there will be a studio full of new
paintings and that the creative journey really will happen all over
again.
© Mary Baker 2005
Mary Baker is a professional artist, whose studio is in Newburyport,
Massachusetts. The artist is known for her crisp realistic oil paintings.
Mary Baker is a professional painter and has shown in New York City
art galleries. Mary's art work has passion, depth and beauty, capturing
moments in time that many people pass by.
You can visit Mary's website, Mary Baker Art, at http://www.marybakerart.com
, see her paintings and read her comments on the creative journey,
the creative process, Tips on breaking the creative block and creative
space—the illuminating silence. A list of all articles can
be found on Mary Baker's Site Map at http://www.marybakerart.com/sitemap.html
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